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...is not confined to New York City although NYC is "the rock" on which it is built. Similarly "rock" is not confined to a genre of music but rather a description of a desirable audience/performer dynamic.
...provides a metatheatrical construct for the performance that manifests itself in a "sense of play." Disbelief is never suspended but belief is highly encouraged.
...uses technology to present performance on multiple "stages" and thus considers digital realms to be theatrical space. ...strives for a balance between entertainment (i.e. "song and dance") and activism (i.e. "doing shit")
...measures "success" in terms other than the Financial, the Academic and the beneficence of The Press i.e. successful engagement with an actual audience.
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